December, 2013
Love
it or hate it, backstory can help you. Wherever your characters live and
breathe is where your backstory needs to be, and the fuller you can make it,
the better. You may not have time on your first draft, but
as you are revising and refining your story, I bet the characters you
are writing about are changing too. That’s as good a time as any for backstory.
Meaning...you take time to write the history, substance and subtext of your characters. They may
be waltzing down the street with friends, howling at the moon, but
what are they truly thinking? What does the guy on the right—the one with the
plaid jacket that no one else gives a fig about—wanting right now? A beer, TV
and a girlfriend? Or a book of poetry?
It’s
up to you to choose, but you need to choose something. Otherwise the characters
you’re writing won’t have the dimension they need to engage your reader—even if
they’re hanging face down on the side of a thousand-story building.
I wanted to keep going with the
story, but couldn’t find anything new in it. So I started writing bits and pieces
about each person that showed up in my main character Ruby’s life. At the time,
it felt like a mini-vacation from the main event and was also fun. Which, by
the way, is extremely important to me because without fun, creativity stretches
thin as wet paper. And there are days when you just want to shove that ms in a
drawer and pretend you never wrote it.
Those
are good days, I think, to start up some of the subtext living inside your
characters. If you’ve been reading this blog, you know it’s all about subtext for the people in Ruby's neighborhood. While the blog stories have very little
to do with the actual book, writing them gave me keys to how Ruby lives and the
choices she makes.
I know some of you
may have your plays/novels ready to go, so there’s no desire or need for backstory.
Others may be feeling stuck, or even starting over. Wherever you are, backstory
can help spur ideas you may not have thought of before.
Start with a moment in your
character’s day—waking up, at a party, or on a bus—and go from there. Let your
thoughts wander, but make sure they are wandering as your character. Go for
five minutes or two hours. Then try another character and start again.
I
started with characters that didn’t loom very large in Ruby’s story, but they
were people I wanted to know more about; Cyn at the leotard store, Sky and Blu
at the candy store and Elena at Sorocco’s restaurant. Discovering that Blu had a
secret fantasy about swimming made her come alive to me in ways she hadn’t
before. I think that made the scene I wrote with Mrs. Levitt a lot stronger.
I tried to write something about all the
characters, but there are still some that could have used more (like Jo-Jo, who
is Ruby’s brother’s girlfriend.) This blog gives me a chance to learn more
about them, even if the book is already written.
And who knows? Maybe I’ll find
out something intriguing enough to use for a second book—or even a second
edition.
That’s what I love about
backstory—you never know where it’s going to lead.
Have a favorite
backstory for one of your characters? Share it here or send it to me at www.jennazark.com.
Photo by David McLeod; U. S. Army
Competition
Mermaid: Andrew Stawarz
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