Greenwich Village, 1958.
After last week’s post, you’re all asking me who the BEAT painters are, because all I talked about was Chagall. So who do I see when I’m at a gallery? Who do I take Ruby to see?
After last week’s post, you’re all asking me who the BEAT painters are, because all I talked about was Chagall. So who do I see when I’m at a gallery? Who do I take Ruby to see?
1. Elaine
de Kooning - my favorite of
hers is called Sunday Afternoon. It’s an abstract, based on a bullfight in
Juarez Mexico. Check it out!
5.
Barnet
Newman – and his painting The
Wild is, I don’t know, just fun? It’s eight feel high and one and half
inches wide! Focusing on the zip. Ruby asked me, what does it mean?” And I say,
it’s art, honey. It doesn’t have to mean anything.
6.
Jackson
Pollock’s painting Blue Poles
has shoe pieces and footprints and shards of glass – and what I love about it
is that it feels like he threw all these pieces up in the air and let them come
down into his painting. Though of course, he worked hours and hours on it, and
yet you don’t realize that. Because it’s “artful” – in the best of all possible
ways.
7. Lee Krasner (married
to Jackson, but a great painter in her own right); Milkweed makes you think of the monarch butterflies feeding on
milkweed, and it has scraps of Krasner’s earlier work under a new layer of oil.
It’s nature, abstracted, which is more of how you feel nature, rather than see
it.
8. Mark Rothko – what
don’t I like about Rothko? But right now I’m crazy about Four Darks in Red,
four rectangles in all my favorite shades. Stare at it long enough and you’ll
have a religious experience. I dare you.
9. Clyfford Still’s
1957D is an abstract of black and yellow. That was last year for me – a year of
contrasts. It could almost be a mural – and on any given day, I can tell my
mood by whether I’m drawn to the yellow or the black.
To
learn more about all these artists and more, visit http://www.theartstory.org/.
--Nell
Tabeata, aka "Nell-mom"
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